Wednesday, September 28, 2011

Folktales


BIBLIOGRAPHY
Bruchac, Joseph and James Bruchac. 2001. HOW THE CHIPMUNK GOT HIS STRIPES. Ill. by Jose Aruego and Ariane Dewey. New York, NY: Dial Books for Young Readers. ISBN 0803724047.
 
PLOT SUMMARY
Bear believes that he is the biggest and strongest animal in the forest. He feels that there is nothing that he can’t do so Brown Squirrel challenges Bear to tell the sun to not rise. So Bear tells the sun not the rise in the morning but do you think that sun listened to Bear? No, and all of the animals of the forest witnessed that Bear was wrong and that Brown Squirrel was right. However, Brown Squirrel was not a gracious winner and he taunted Bear. Bear retaliates by attempting to eat Brown Squirrel however; Brown Squirrel is too fast and only suffers from scratches down his back from Bear. After this occurs Brown Squirrel is now known as Chipmunk.         

CRITICAL ANALYSIS
I found the book to be very interesting. I have never read a Native American folktale before, but due to other traditional tales I am already familiar with the concept of beast tales. Even though the characters are animals they display very prominent human characteristics such as pride and boastfulness. Neither is a very desirable trait and the book illustrates the moral of the folktale rather easily for both Bear and Brown Squirrel. I think that younger children would enjoy the book not only for the story but for the vibrant and expressive illustrations as well. The characters’ expressions are so well drawn that it is easy for young children to infer the mood of the characters.  I wish there had been more books like this when I was growing-up. I am glad that the genre of folktales has expanded to include more than just the traditional European folktales. It was interesting to read the authors’ note at the beginning that referred to the origin of the story. I am always interested to discover the history of a folktale since it illustrates the culture that the folktale originated in.

REVIEW EXCERPT(S)
“In their introductory authors' notes, the Bruchacs indicate that the story is an amalgam of tales they have heard from Cherokee, Abenaki, and Mohawk sources, and has further been fleshed out through their own telling over the years. The result is polished, cohesive, and energetic. While the story begs to be told, Aruego and Dewey's vibrantly hued trademark watercolors add significantly to the humor.” – School Library Journal   

“…the dialogue is effective and invites audience participation--especially the repeated phrases with sound effects…” – Publishers Weekly

CONNECTIONS
The book would be a good introduction to bullying for young children especially since it shows two different types of bullying. It is not just the overt bullying that children must be aware of but also bullying such as taunting other students for being wrong.

 This would be a great book to use puppets with. Younger children would enjoy how the characters interact with one another. All you would need is a puppet to play Bear and a puppet to play Brown Squirrel and something to make stripes with such as yarn or white tape.

As a librarian or teacher you could encourage the children to participate in the reading of the book by having one group say “The sun will not come up” and another group to say “The sun is going to rise” as it follows with the book.  
 




Tuesday, September 27, 2011

Caldecott Medal Book


BIBLIOGRAPHY
Zelinsky, Paul. 1997. RAPUNZEL. Ill. by Paul O. Zelinsky. New York, NY: Dutton Children’s Books. ISBN 0525456074.

PLOT SUMMARY
A couple who has no children is finally expecting a child but the wife yearns for some rapunzel from the garden of a sorceress. The husband steals the rapunzel for his wife but he is caught and the sorceress forces the couple to give their child to her. A daughter is born and the sorceress takes her away and names her Rapunzel. The sorceress takes Rapunzel, to live in a tower with no way in except for a window at the very top. The sorceress climbs to the by using Rapunzel’s long hair. One day a prince comes upon the tower and hears Rapunzel’s voice. Will the prince make it to the top of the tower and if he does what will happen to Rapunzel? 

CRITICAL ANALYSIS
This book’s detailed illustrations have a very strong renaissance style depicting the characters and scenery. Although, in my opinion this book is meant for older children it could be used as a wordless picture book allowing younger children to make-up their own story based on the illustrations. The story is a classic retelling of the Brother’s Grimm version. I like that the author includes a note at the end which provides the reader with the background for the original story even beyond the Grimm’s version. Fairy tales can reveal much about a culture and the current values of the eras in which they were written.  

REVIEW EXCERPT(S)
“Zelinsky (Swamp Angel) does a star turn with this breathtaking interpretation of a favorite fairy tale.” - Publishers Weekly

"Simply put, this is a gorgeous book; it demonstrates respect for the traditions of painting and the fairy tale while at the same time adhering to a singular, wholly original, artistic vision." - The Horn Book

"Suffused with golden light, Zelinsky's landscapes and indoor scenes are grandly evocative, composed and executed with superb technical and emotional command." - Kirkus Reviews

“An elegant and sophisticated retelling that draws on early French and Italian versions of the tale.” - School Library Journal

Honors
Caldecott Winner - 1998

CONNECTIONS
Zelinsky's version of Rapunzel would be an excellent book to study for an art history class with older children or even high school students. The illustrations are a great representation of Italian Renaissance art that can be used to introduce students to a modern take on Renaissance art and how current artiest are still influenced from different periods of art.





The Three Little Pigs


BIBLIOGRAPHY
Scieszka, Jon. 1989. THE TRUE STORY OF THE THREE LITTLE PIGS. Ill. by Lane Smith. New York, NY: Penguin Group. ISBN 0670827592.

PLOT SUMMARY
This is the story of The Three Little Pigs, but not the story that most people know. It is told by the other party, otherwise known as the Big Bad Wolf. However, according to Al Wolf the original story got it all wrong. Al Wolf tells the readers how everything is just a big misunderstanding. He is not the terrible wolf that everyone thinks he is, but he is simply a wolf who wanted to make a cake for his grandmother while he suffered from a cold.  

CRITICAL ANALYSIS
Scienszka’s book is not your average fairy tale of The Three Little Pigs it is instead a fractured fairy tale featuring the wolf as the main character rather than the pigs as the original story does. It is a parody of the original traditional tale. I like that the book encourages children to think about different points of view. There are two sides to every story and things are not always what they seem to be, depending on whose side you are listening to. The illustrations are very unique and eye catching. The reader should be sure to watch for the details that Smith has added to the pages. The illustrator also demonstrates some satire, one of the pages in particular stood out to me. The illustration is after the wolf has sneezed down the second pig’s house and shows the pig’s rump in the air with the proper eating utensils on both sides, which came from the sticks that made up his house.

REVIEW EXCERPT(S)
"Designed with uncommon flair," said PW, this "gaily newfangled version of the classic tale" takes sides with the villain. "Imaginative watercolors eschew realism, further updating the tale." – Publishers Weekly

"It's the type of book that older kids (and adults) will find very funny." – School Library Journal:

Honors
ALA Notable Children’s Books
Best Book of the Year - School Library Journal
Best Book of the Year - The New York Times
Best Book of the Year - Publishers Weekly

CONNECTIONS
A unit which covered many different versions of the Three Little Pigs would be a great way to study folktale variants. First read a more traditional version of the story and then read a non-traditional version and compare and contrast the two. This would be a great way to study points of view and critical analysis.
 
Jon Scieszka's Website

Lesson Plans

Scholastic Classroom Activities



The Frog Prince Continued

Monday, September 12, 2011

Picture Book


BIBLIOGRAPHY
Willems, Mo. 2010. CAN I PLAY TOO?. Ill. by Mo Willems. New York, NY: Hyperion Books for Children. ISBN 9781423119913.

PLOT SUMMARY
This is another book in the Elephant and Piggie series by Mo Willems. Elephant and Piggie are two friends who are playing together when a new friend comes along and wants to play too. They want to play together but how does a snake play catch? Watch as these friends problem solve so that everyone can play.

CRITICAL ANALYSIS
Within the story the characters are presented with a problem that they then have to solve. The problem presented is what do you do when one of your friends is different? I think that this story presents the issue in a straightforward and obvious way. The characters have to work through different solutions before arriving to one that works best for all involved. Both the story and illustrations are very simplistic. The only drawings are the characters and some balls. Even though they are simple the artist shows a lot of emotions on the characters’ faces.

REVIEW EXCERPT(S)
“These masterful mini-dramas will delight and amuse easy-reader and picture-book audiences, alike.” – School Library Journal
“Accessible, appealing, and full of authentic emotions about what makes friendships tick, these titles will put a contemporary shine on easy reader collections.” - Booklist

Honors

CONNECTIONS





Sunday, September 11, 2011

Caldecott Medal Book

BIBLIOGRAPHY
Stead, Philip C.. 2010. A SICK DAY FOR AMOS MCGEE. Ill. by Erin E. Stead. New York, NY: A Neal Porter Book, Roaring Brook Press. ISBN 9781596434028.

PLOT SUMMARY
The story is about an elderly zookeeper named Amos McGee. Everyday Amos follows the same routine as he cares for the animals at the zoo but one day Amos wakes up with a cold and has to stay home from work. Wondering where Amos could be, the animals take a bus ride Amos’s house to check on him. While at his house the animals take good care of Amos just as he always does for him.

CRITICAL ANALYSIS
“A Sick Day for Amos McGee” is a lighthearted story about friendship and what friends are willing to do for those they care about. I think that children of all ages would enjoy this story and the thought of having zoo animals come to their house when they are sick to take care of them. The illustrations for the book are amazing. Erin Stead’s woodblock printing skills shows very detailed characters. Amos is probably the most detailed character of all within the story, and he almost seems to come to life on the pages of the book.
 
REVIEW EXCERPT(S)
“Endearing, expressive characterization in spare illustrations rendered in muted tones distinguish this timeless picture book.  It’s a great day for Amos McGee!” - Caldecott Medal Committee Chair Judy Zuckerman. 

Honors
Best Illustrated Children’s Book Award 2010 - New York Times
Caldecott Medal 2011

CONNECTIONS







Saturday, September 10, 2011

Classic Picture Book

BIBLIOGRAPHY
Gag, Wanda. 1928. MILLIONS OF CAT’S. Ill. by Wanda Gag. New York, NY: G.P. Putnam’s Sons. ISBN 9780399233159

PLOT SUMMARY
Within this classic picture book Wanda Gag tells a story about a very lonely old man and woman. The old woman tells the man that the only way to alleviate their loneliness is to find a cat. The old man leaves to find his wife a cat. The old man finds what he is looking for and more, so much more that he cannot decide which one is the best cat so he takes them all. In the end it all works out, but how do you think his wife felt about the “Millions of Cats” he brings back?

CRITICAL ANALYSIS
Gag’s story is very straight forward. There are no twists and turns to the plot and it is a very easy read for a child sense it contains repetitive, rhyming words. The illustrations are also simplistic. The pictures are drawn in black and white and for the most part are simply accents to the story. However, for the story I think that the art is just right to convey the lightheartedness of the story.

REVIEW EXCERPT(S)
"One Hundred Books That Shaped the Century" - School Library Journal

Honor
Newberry Honor Book - 1929

CONNECTIONS

Millions of Cats Discussion Guide

Millions of Cats by Wanda Gag

Nothing At All by Wanda Gag

Funny Thing by Wanda Gag